The design of characters in a font took into account all these factors.Īs the range of typeface designs increased and requirements of publishers broadened over the centuries, fonts of specific weight (blackness or lightness) and stylistic variants (most commonly regular or roman as distinct to italic, as well as condensed) have led to font families, collections of closely related typeface designs that can include hundreds of styles. Historically, fonts came in specific sizes determining the size of characters, and in quantities of sorts or number of each letter provided. For example, 8-point Caslon Italic was one font, and 10-point Caslon Italic was another. In professional typography, the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size. Before the advent of digital typography and desktop publishing, the two terms had more clearly understood meanings. The term typeface is frequently confused with the term font. There are typefaces tailored for special applications, such as map-making or astrology and mathematics. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. The same glyph may be used for characters from different scripts, e.g. In digital typography, type designers are sometimes also called font developers or font designers.Įvery typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. Designers of typefaces are called type designers and are often employed by type foundries. The art and craft of designing typefaces is called type design. There are thousands of different typefaces in existence, with new ones being developed constantly. It is a different font from "ITC Garamond Condensed Italic" and "ITC Garamond Bold Condensed," but all are fonts within the same typeface, "ITC Garamond." ITC Garamond is a different typeface from "Adobe Garamond" or "Monotype Garamond." (These are all alternative updates or digitisations of the typeface Garamond, originally created in the 16th century.) For example, "ITC Garamond Bold Condensed Italic" means the bold, condensed-width, italic version of ITC Garamond. Each font of a typeface has a specific weight, style, condensation, width, slant, italicization, ornamentation, and designer or foundry (and formerly size, in metal fonts). In typography, a typeface (also known as font family) is a set of one or more fonts each composed of glyphs that share common design features. Printed by William Caslon, letter founder from the 1728 Cyclopaedia. With a design mixing the expansion principles of the brush with the sharp technicality of typewriter and system fonts, Bakemono can both excel at text size in its regular widths optimized for legibility as well as owning the page at display size with its uncommon design details.īakemono reflects its multicultural nature with its extended latin + cyrillic charset, soon to be expanded with Bakemono Arabic (exploring the fascinating world of monospaced arabic script) and Bakemono Kana (our first experiment in cjk scripts).A Specimen, a broadsheet with examples of typefaces and fonts available. The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human andĪnimal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies. In his research on fixed width type design he mixed the lessons of mechanical typewriter technology with the intuitions of eastern brush calligraphy, which has been dealing with for centuries with fixed space grids. He was also interested in the concept of monowidth design, inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type – allowing you to change the weight of a word without losing the text alignment. Bakemono is the type of font that could work with headlines, body copy, and everything in between, a rarity, for sure.įrancesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. While filled with style and personality, the typeface is still legible and, with the variety of weights, has quite the potential we love to see with new fonts. The duality of the inspiration creates a unique effect. Created by Francesco Canovaro, Bakemono is a typeface that mixes details inspired by both mechanical typewriters and eastern brush calligraphy.
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